It's quite wonderful. I dissolve the paraloid B-72 in acetone (1 part B-72, 8 parts acetone), then soak the bone in the acetone for about an hour, let the bones dry, and then suddenly they're solid and strong. You can adjust how much acetone you use for how thin/thick you want the fluid. Bones are porus so I opted for a thinner solution and it worked great. It was also really cheap.
Links to obsure but interesting Wikipedia articles are some of my favorite HN posts.
How many museum curators who need non-yellowing flexible thermoplastic are there on here?
This is unusual as posts go, but it's not totally unreasonable and even though I wouldn't have an immediate use, it's fascinating, leads to further exploration (like another commenter mentioning the inks) and knowledge gets filed away.
I try to remember posts like this when people are less positive about HN! :-)
Note: I thought this was about Polaroid, not Paraloid, at first!
- how do I apply it as a coating? I want it to be ~ 1/6" to 1/8" thick and as hard as possible
- will turpentine dissolve or soften it?
On the restoration of my house I allow its use on very specific cases. It very useful for example in strengthening wood that has rotten. Sometimes Paraloid is the only thing that can be used, but it needs to be used with care.
https://otislibrarynorwich.org/2024/04/08/edwin-land-and-the...
https://www.smithsonianmag.com/innovation/polaroid-inventor-...
It can be used as protective varnish, but that would be a very thin layer, probably 0.1 mm or something like that.
https://resources.culturalheritage.org/osg-postprints/wp-con...
https://www.zoicpaleotech.com/pages/paraloid-b72-in-fossil-p...
acetone will dissolve it, dunno about turpentine.
In my wider life in the UK, speaking to people associated with pianos (from a piano tuner, to school premises teams), it is often not worth the commercial expense to repair old pianos unless they are of particularly good quality or have some sentimental value.
For a painting or building that has survived for half a millennium we need use methods that will preserve the object for another 500 years.
Too many times I hear people say we will just use Paraloid.
There's a solution you can add to soften the hammers, but I don't know what chemical it is or how well it works since I haven't tried it yet; you can also needle the felt to fluff it up.
From Wikipedia, the free encyclopedia
| Names | |
|---|---|
| Other names B-72 | |
| Identifiers | |
| ChemSpider |
|
| Properties | |
| Density | 9.6 lb galā1 (1.15 g cmā3) |
| Hazards | |
| Safety data sheet (SDS) | MSDS |
Except where otherwise noted, data are given for materials in their standard state (at 25 °C [77 °F], 100 kPa). | |
Paraloid B-72 or B-72 is a thermoplastic resin that was created by Rohm and Haas for use as a surface coating and as a vehicle for flexographic ink. Subsequently, it has found popular use as an adhesive by conservator-restorers, specifically in the conservation and restoration of ceramic objects, glass objects,[1] the preparation of fossils, the hardening of piano hammers,[2][3] and can also be used for labeling museum objects.[4]
Paraloid B-72 in pellet form
B-72 is a durable and non-yellowing acrylic resin, which can be described chemically as an ethyl methacrylateāmethyl acrylate copolymer. It is soluble in acetone, ethanol, toluene, and xylenes, among other solvents and solvent mixtures.[5]
One of the major advantages of B-72 as a consolidant is that it is stronger and harder than polyvinyl acetate without being extremely brittle. This adhesive is more flexible than many of the other typically used adhesives and tolerates more stress and strain on a join than most others. The major drawbacks to using B-72 are related to its handling properties: as in the case of other acrylic resins it is difficult to apply as an adhesive and to manipulate with precision.[6]
The most suitable solvent for B-72 is acetone. However, solvent mixtures with various proportions of acetone, ethanol, and toluene are frequently used to alter the working time of the resin and to produce slightly different properties (hardness and flexibility, e.g.) in the set resin. Unlike cellulose nitrate, B-72 does not need additives like plasticizers to stabilize its durability. Fumed colloidal silica can be added to help with the workability of the resin. Research shows that the silica better distributes the stress and strain that occurs during evaporation of a solvent and during the setting of the adhesive film.[6]:āp.9ā
Because of its transparency and versatility, conservators, led by Stephen Koob of the Corning Museum of Glass, have recently begun to use cast sheets of B-72 as a fill material in glass objects.[7]